The border between a lecture and a performance is anything but rigid. Dreams, and why not? consciously and continuously breaks the frontier between reality and fiction, between facts and fabrications, both musical and performative. Starting from a simple presentation of musical instruments and their possibilities, things quickly drift toward a world where songs last one second, the instruments and the body merge, and the lecturer loses control over the lecture.
The final destination is the state of a lucid dream, where reality and fiction combine, and where the borders between music, text, meaning, sound, and image dissolve.